Better And Better

If you don't draw yours, I won't draw mine. A police officer, working in the small town that he lives in, focusing on family and shooting and coffee, and occasionally putting some people in jail.

Friday, January 24, 2014

Late-January points.

--The guys who built a 30 foot tall bronze statue of Nelson Mandela weren't allowed to sign their work. Whether this was because of unease about having white South Africans be recognized for the work, or just to maintain that the statue was for all is unknown, but they decided to add a signature to the statue. They put a bunny in the ear.

It turns out that they were pushed to work quickly, and the Afrikaans word for "haste" is "haas," which also translates to "rabbit."  Now they've admitted that it's there, and have been ordered to remove it. This seems odd to me. Would we as a nation have minded if Bartholdi had signed the Statue Of Liberty? (Maybe he did. I don't know.) Did we demand that the little o be fixed when we discovered that the engravers who designed the U.S. penny intentionally wrought "UNITED STATES oF AMERICA" on our 1¢ piece?  Heck, no. We embraced it for over half a century.

--I'm afraid that I'm going to have to buy a Glock 42.

--The new S&W model 69 5-shot L-frame .44 Magnum looks interesting. Now, can they make a 369, with an alloy frame and titanium cylinder? Oh, I wouldn't much want to shoot Magnums through it, but it would be fun for carrying Specials in, with the chance for magnums in bear country.

--But of course, the M396 has taught us that it would probably become a kinetic bullet puller. Question: If you loaded the gun with 5 light-bullet loads (say, 165g or less), and one magnum heavy load for the first shot, would it be more or less likely to make the 4 remaining loads jump their crimp? What if the first round was a Special, and the second shot was a heavy bullet? How did they deal with the problem when they made the 329PD?

--Chief O'Brien had a bad job. This one made me giggle. Well, so did this one.

--I've had the theme song to The Love Boat in my head, for the last three days, now. I'm certain that I've never actually watched a full episode of that show. I will say that my voice bottoms out in the opening words pretty well, though I can't help warbling the word "new" like a lounge singer:
"Love. Exciting and new...."

--If the weather gets warmer this week, I plan a shooting date to try out a carbine, but not a high-dollar one. Stay tuned.

--It's 14 degrees here, but no precip. Down in Houston, they're expecting about .20" accumulations this morning. Big stuff for that southern Gulf Coast Texas city. I know this makes my friends up north giggle.

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Thursday, March 21, 2013

Thursday Pictures

The following two pencil sketches were done by my 10 year old daughter, to entertain her friend at school by putting moustaches on animals. The beret with the pencil moustache particularly cracked me up:
 I got a sample of a medication from the doc. It came in a 4" cube, which I opened to find the following:
On the wall at the doctor's office. I've never seen a "High Frequency Dessicator," before. I don't know what it does, even though I understand what dessication is.
This is 1.5 cubic yards of enriched soil, which I bought yesterday from the gettin' place, and put into my wife's raised beds. She's added a couple of beds this year, and also the ones from last year had settled a bit.
 
On Saturday, my wife suggested that we two spend 45 minutes clearing out some junk that had accumulated in the garage. 8 hours of sorting and cleaning later, we found that we had 5 well-stuffed, heavy Hefty Steel Sacks.



During the cleaning, I found this little dumplin', which I had gotten for my Honda Civic, years back. The Civic's A/C system will no longer take a compressor for less than the cost of the car, so I had promised this to my old patrol partner for his beater Honda, only to find that I couldn't find it for him. I was so excited to find this (I'd paid $130, 7 years ago for it), that I sent him a text.
I had my 10 year-old get up from whatever it was she was doing with the neighbor girl on the front porch, to do the dishes. They both sighed, as she laid down her pad to go do her chore. I looked at the pad, and saw that she'd just started a pretty decent life study on the neighbor kid. Seriously, based upon this if she had finished the facial features, I wouldn't have been able to post it here without the neighbor girl's parents' permission. I haven't seen the finished product.
Sadly, my camera phone doesn't have the light-gathering capability to take good night pictures, or you could appreciate the awesomeness of my 14 year old daughter's first-ever attempt at parallel parking. I credit good genes, and a decent driving instructor. (Yours truly.)
M19 Standing semi-supported (leaning back against my car) at 20 yards with .38 Specials (158g LRN), Single action. Shot from about 7:30 o'clock.

M19 fired off-hand double action at 25 yards. 158g factory Hydrashock .357 Magnums. (There are a couple of .22 holes in there, too.) Meh.
Coffee can with custom target made by daughter to shoot at with her new .22 WMRF rifle. (Depiction of "Kim KardASSian.")
Daughter's new custom .22 WMRF rifle.
Daughter during initial sight-in at ~20 (or just a bit less) yards.
50 yard sight-in.




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Sunday, March 03, 2013

Random pictures from my phone.

Periodically, I remember that I have a Bluetooth interface on my desktop, and I download a bunch of pictures. Then I look at them on screen larger than an Airmail postage stamp (I've got the single cheapest phone that AT&T offers with a QWERTY keyboard), and wonder what in the world the context was. Sometimes it comes to me. Sometimes, I just have to let the mystery be.



These are easy. Yesterday, I helped a family member put up some gutters on his house. Given that we had no training, no instructions (None. Seriously-- the packaging came with not a whit of instructions on it.), and no experience between us, I think that we did pretty well. This will keep the rain off when walking out the back porch, anyway. I'm going to do this for my back porch, now.

---------
This one's easy, too. For our anniversary, my wife and I went into Dallas, and dined at Mi Piaci, (where we toured the wine cellar. I had no idea that they had a wine cellar. If you've been there before, please know that the service has gotten a LOT less snooty, yet is still superb.) and stayed at a nice hotel, before wondering around Dallas the next day (Friday, 1 Mar 2013). We played at the bizarre Klyde Warren Park (which is situated over 9 lanes of Woodall Rogers Freeway), and walked into the Dallas Museum Of Art.

I saw the sheet metal fixture shown above (Sorry for the blurry picture. Low light, and crappy camera phone.) on the wall, which is clearly made up of air ducting. I went past, then stopped, and asked one of the dozens (scores?) of museum personnel in a blue blazer if that was a piece, or simply infrastructure. He assured me that it was a piece. I almost laughed, but stopped down for a second. In a moment of meta-artistic consideration, I thought about the few times that I have tried to cut and form sheet metal, and then get it to connect its seams tightly. It's actually more difficult than you might think. Yet it's true that every week, thousands and thousands of tradesmen (and women) do such work, leaving custom ducts and plenums (plena?) in attics and utility closets to perform their functions in the dark, gathering dust often without the appraisal of even the person who paid for them. I submit that such everyday achievements of craftsmanship might well attain the status of art, if we took time to appreciate what it took to achieve them. I took a closer look at the piece. The joints were handcut with snips, and screwed together with sheetmetal screws. I thought about that a day later, when I was customizing sheetmetal gutters with tinsnips and self-tapping sheetmetal screws.

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 I.... I have no idea. I don't remember where I was exactly when I took this. I do recall that I thought that it wasn't really what you would expect a such a location.
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At a local tire shop. Service (and education) are dead.
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It's sad how much I enjoy the cheapest foods. Basmati, red beans, and some Thai chili paste. Mmmm-mmm!
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 This is years' worth of bottle caps, saved for some unknown reason at first. Now my sculpture wife has an idea to put them onto a wooden fish, as scales. Might be kinda fun, in a kitsch sort of way.
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 Another piece from Asian collection at the DMA.
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 From a party for a good friend who joined the Texas DPS state troopers. His father in-law put up a trap and skeet shoot, in which we shot a game called "Wolf Pack." It was $5 a gun to shoot each round, with the winner getting half the pot, and the other half going to a charity. We raised over $200 for the charity, and had a lot of fun doing it.
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 ALWAYS turn the light before using the restroom at night, in the volunteer fire department dormitory.
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Panic-buying at Cabella's, January, 2013. Those are mostly some esoteric rounds left on the ammo shelf. No .38. No 9mm. No .45acp. No .22 LR.
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Wednesday, March 14, 2012

Random Wednesday thoughts.

--I went to visit a friend in Waxahachie (by-Gawd) Texas the last couple of days. We wondered around the Ellis Courthouse on the square. That's a beautiful courthouse, and I'm picky. Every time that I go to a Texas county that I've never visited before, I try to get a size-up of their courthouse. There are 254 Texas counties (many of which are ~30 miles square, but not all), and most of them have a courthouse, many of which are over 100 years old and still in service. Some have retired their old courthouses but still keep them for other uses. Some counties share their judicial district with another local county, and thus use their that county's courthouse.
I enjoyed the detail of the stonework over the porticos at the entrances:



I also dug the turrets:

Forgive my poor photography. I was using a crappy not-Smart phone at dusk.

--I'm still liking Sallie Ford And Sound Outside. They've got a rough retro sound that I enjoy.

--I went to a pub last night to get a (wife-approved*) pint with an old friend from high school. I enjoyed our chat. She's extremely liberal. I'm a bit right of center. We disagreed about gun control. We're still really good friends. It's not all about politics, friends.

--Pubs are nice places to get a drink and chat. I've hardly ever done that. However, at 9:00PM, the place basically turned into a club, and the music went all doosh-doosh-doosh-dooshdooshdoosh, doosh-doosh-doosh, making us old people find it hard to hear each other. These kids, with their techno music, these days. . .

--This past weekend, I borrowed a flatbed trailer and picked up 3 cubic yards of enriched compost  humus dirt. They said that it was about 1900 lbs when I picked it up.
 I had mediocre tarps, and the wind kicked up, to 50 mph gusts, which meant that I probably lost almost a half a yard. But given the sheets of rain that fell on it over the next couple of days, I'll bet that we shoveled 3000 pounds of the stuff into our raised beds. My wife had gotten out the nail gun and thrown together some 8'X4' beds with doubled 2"X6"s, and lined the sides with black plastic. We put down layers of newspaper under the beds, and shoveled in the compost dirt, mixed with cow manure, vermiculite, and peat moss. While it's organic, it's also basically not much like any soil found in nature. We should be able to grow some stuff in this. It was a dirty job that even my nine-year-old got into.

--We filled Mom's raised bed frame and her front yard flower beds with the stuff, too.

--After all that rain, there seem to be some ruts in my yard from where I backed the trailer onto the soft dirt, and then back out. At least I didn't get the van stuck. This time. I need a yard roller.

--I go in tonight to see how I did on my Homeland Security test in grad school. I'm not enthusiastic. Then again, I'm not really enthusiastic about the state of our nation's homeland security, either.

--I had my daughters do without TV or computer for two days. Given the results, I think I'm going to do this some more.

--My chickens are back to laying about an egg a day. Two of them are laying eggs the size of duck eggs.

--I got to take the weekend off from fire training. It was the first weekend off this year. It was very nice to have the weekend off from training, because I worked at my paying job all weekend. This stuff makes you tired, when you don't get any sleep on top of it.




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*You think that "wife approved" part is silly? Not me. I'm in this thing for the long haul, friends.

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Monday, February 27, 2012

Holy crap.

Back when I was a teen, I used to do a bit of whittling. Take a piece of birch, whittle out a bat and ball just barely connected. That sort of thing. 


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Saturday, July 10, 2010

Tell the truth. Tell the truth. Tell the truth.


(Click to embiggen.)

When I commented on how much I loved this hanging plaque made by my friend and sculptor Paula Blincoe Collins, she gave it to me as a gift. Given that this is her stock and trade, it was actually a pretty valuable gift, just monetarily. But more important to me is the sentiment, which has a lot of meaning for me. I had a scoutmaster who once said that you have to say something three times to a person before they fully get what you're saying to them. I've spent a lot of time telling people to tell the truth.

The fired clay plaque, which has the texture of lace pressed into the face of it, holds a place of honor on my mantlepiece, but I've been seriously considering hanging it up at work.

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Monday, June 29, 2009

Stand at thy right hand.

To those of us who like a little classical history mixed with our modern guns and science fiction, there are few more beautiful stories than "Horatius," as told by Thomas Babbington Macaulay in Lays Of Ancient Rome. Whether or not the tale of Horatius Cocles is true, it should have been. I've always liked the concept of the valiant captain of the guard, but too have also liked the concept of his two buddies.

"Who?" you might well ask? "Horatius stood alone." Well, yeah, sort of. Actually, he stood first, and two other Roman citizens volunteered to stand with him: Titus Herminius & Spurius Lartius. You never hear their names, do you? Horatius fought with them at his side, and finally sent them away. But they also served. Their names are just not remembered.

Proud, honorable, anonymous service is a trait that I very much admire, in life as well as in literature. For the past few years, my email address has come from a line uttered by Lartius: "'Lo, I will stand at thy right hand, And keep the bridge with thee.'"

While I'm not such a geek that I sit around constructing GIF animations to show the battle at the gate, I will admit to smiling a little bit smugly that, one time in my early twenties, I seduced a chick with my reading and partial recitation of "Horatius."

And as they: Any lady who would be seduced by such a thing, is worth seducing. :)


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Thursday, March 19, 2009

Visual Thursday

For our first nifty view, please see art made with flocks of sheep, crazy shepherds, and very, very well-trained dogs. Simply awesome, and totally worth calling your kids over to see.

For our second site, I must caution you that a few of the pictures are possibly NSFW, and merit review before calling the kids over. In my house, they came running when they heard the hysterical laughter. The site, probably known to many of you, is Picture Is Unrelated, in which they have compiled an impressive growing collection of those odd photos that you sometimes find, where the subject does not match the background. Be sure and page through their archives, and read both the headings and the captions, which make the site. Made of win.

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Tuesday, December 02, 2008

Confession of ignorance.

I don't *get* the obsession with Andy Warhol.

I regularly see many superb artists, who are about as obscure as any homeless person on the street. Then there's Warhol, who for about a quarter century had undue sway over what and who were considered artistic-- especially in New York.

Maybe I've just got so much hayseed in my hair that I just can't see. Hell, I've never even been to NYC. (And I could carry a pistol there, so I don't have that excuse going for me not having gone.)

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Saturday, November 08, 2008

Okay, this is beyond the pale.

I don't know about art, but I know what I like.


Look, I'm a straight male, and I don't know from fashion-- men's or women's. But I know that I like to look at attractive women a lot, so I've kind of formed my own ideas about what looks good and what does not. And, honestly? I'm not that hard to please. As I say, I appreciate almost all manifestations of the opposite sex, and that's the basis for making me happy with simple outfits on women.


But some stuff my mind just rebels at. Some things are just ugly. You know it. I know it. Everybody who receives pixels on cones and rods gets it.


Uh, about those cones. . . I'm not a genius with the color palette, but some matches ain't gonna happen.


Like what, you ask? Oh, like this, which just now greeted me when I turned on my computer:


Again we find that there can be no question that the media such as MSN are rabidly in support of the president-elect's agenda, as they fawn over his family. Michelle Obama is objectively a good looking woman. But this outfit makes even people who know and care nothing about fashion (like me) cringe. "Fashion's New First Lady?" Dear lord. I suppose that bullet point "Not so fashionable: Election night outfit derided in polls" is speaking of this very picture. Perhaps. But that's not the headline. Yech.

I'm not sayin', I'm just sayin'.

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(We now return to our regular schedule of gun talk and such.)

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Monday, April 21, 2008

Boring old married couple goes to big city.

Y'all know my wife's a sculptor, right? Oh, she has "real job" to pay for bills and insurance, and such, but she's classically trained and has the tools and skills to make art out of clay, glass, bronze, brick, wood, leather, and maybe even stone, for all I know. She can also make a box of acrylic paints sing.

So I decided to surprise her with a trip to CowTown for the Fort Worth Main Street Arts Festival.

This is a yearly thing that Fort Worth has been putting on all my life. They close down the red brick avenue that is Main Street, and rent out stalls to artists that have to be good enough to pass a jury to get the privilege to spend a lot of money to get a 10'X10' piece of pavement. There are three or four stages for performers to put on free shows, and a very large kids' play area with lots of crafts and such for the kids to do, for free or almost free. In the past, we've brought the girls, and made a day of it.

Somehow Fort Worth knows how to make this work. If they tried it in Dallas, for all their bigger budget and larger infrastructure, they'd screw it up. Fort Worth manages to keep it clean, orderly, and clear of overly-obnoxious people. The police and security presence was obvious, but not at all intrusive. I never once saw a panhandler, even though I saw plenty of sidewalk performers with open music cases or hats on the ground. There's a distinction that I can appreciate. This event is a city-wide team effort, and the results are pleasing. There's no gated entry, and it's free.

This year, the surprise was that I ditched the girls, and reserved a hotel room at a decent old hotel that overlooks Main Street.

Because my wife and I are cheap penny-pinching money-grubbing frugal types, we tend to stay at places of the type advertised for by Tom Bodet, with lovely views of interstates, parking in front of your room (if you're lucky), and the room service consists of a guy in the parking lot who will bring you some weed to your room if you'll just front him some money, first. (Do people actually fall for that gag? I've never gotten to find out.)

This joint was swank, though. Pull up to the valet desk, leave your key in the ignition, pick up your receipt for your car, and go check in. I tipped the dude a buck, and he seemed happy for it. Later, when we came downstairs for our car, I showed my receipt, and an attendent ran into a giant elevator, only to emerge from it two minutes later in my car. He seemed happy enough with his buck, too.

We checked in, and discovered that we had two full sized beds in the room. Aw, crap. I had forgotten to specify a king. I looked at my wife, who was trying the mattress, and who looked over to me with a grin and said, "This is just fine!" See, we've been married for a decade, and the whole novelty of sleeping in the same bed is pretty well worn off, for the most part. Oh, we love each other, and are demonstrative and such, but honestly, we use separate blankets while sleeping in the same bed. She says I'm a blanket hog, and I know she's one.

That memory foam mattress rocks, by the way. You'll think it's too soft, at first. But it's not. I might just buy one.

The room overlooked the festival, and we enjoyed a drink while doing some people-watching, scoping out the street three floors below. Buildings across the way were built in the nineteen-teens through the thirties. Urban, in a charming kind of way.

We wandered the festival for some hours, and came back to the hotel for a swim and a soak before going out to dinner. We walked to Daddy Jack's, for bowls of lobster bisque. If you haven't tried it, do so.

That next morning, we broke our fast in the bakery downstairs, and wandered through the festival some more, checking out new upcoming artists and re-checking stuff we'd seen and liked the evening before, with fewer crowds. I bought a gift for a friend. The last thing that we looked at was the Best In Show winner. Lewis Tardy took that prize in a vast and highly-talented field of artists. This guy's stuff is amazing. Cyber-punk-robotic-tech kind of stuff, most of his pieces are about 3 feet tall. Lots of stainless, chromed, glass lenses, etc.

We hurried home for my wife's cake-decorating seminar, and I went to pick up the kids later.

I'm sorry to bore you with this episode of staid married life, but I gotta tell you-- it was the highlight of my month. My wife enjoyed it, too. I think we'll do it again.

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Monday, March 10, 2008

Le Morte d'Barbie

My elder daughter looked out the window at the early spring sun shining on the remnants of snow in the corners of the yard yesterday afternoon, and said, "You need to take me shooting."

Damn. She's right.

59 degrees. Good sun (but with clouds on the horizon). I had no excuse. Time to take the kid shooting.

First, a trip to Hell, to acquire better ear protection, better eye protection, and more ammo.

Then, I put together targets for the range.

Old vegetables? Check.

Paper plates marked with different letters of the alphabet in different colors?* Check.

Cans? Check.

My nine year-old hollered as we started out the door: "Wait! One more target!"

She came to me displaying an older, more coarse, female doll, naturally denuded of her Mattel-supplied couture. "I have to shoot this Barbie," she said.

I looked to her mother. "Please," she said. "I've been telling her to throw that doll away for weeks. She hates it. The hair never looks right. She pulled its head off the other night."

Okay.

Off to the range.
_ _ _

"What are the four rules of gun safety?" I asked as I stopped the car and turned off the ignition. We were at the range. "In any order."

"Uh..." my daughter began. Fine. I'd give her five seconds, and then start the car again. No skin off my nose.

3. . .

2. . .

"'All guns are always loaded!'" she blurted out triumphantly.

"And?" I asked.

"'Never point a gun at anything you're not ready to immediately destroy!" she shouted.

"Next!" I commanded.

"'Always be certain of your target and its backstop'," she quoted, confidently now. I knew she remembered the last one, so I didn't push her.

"And finally, 'Never put your finger in the trigger guard until the moment that you're ready to fire,'" she said.

"Why are these rules important?" I demanded.

"Because they prevent tragedies," she said simply.

"Good enough. Let's get out of the car," I said.
_ _ _

I took out the biggest .22 I had. I put foam plugs in her ears, and put electronic earmuffs over those, turned up full blast. If I had something to say to her, she damned well better hear me.

I put on youth-dimensioned eye protection over her eyes.

I had her load the magazine with some CB caps that I'd bought for warm-up, and had her shoot some soft drink cans that I tossed out on the ground.

Oops. CB caps, out of a full-sized rifle, with doubled hearing protection, meant that she had NO feedback. After a magazine of her asking me if it had gone off while she perforated a Big K can, I switched to Long Rifle rounds, and a smaller rifle.

The smaller rifle is an old Marlin Model 80G that was my mom's father's, and was used to dispatch many a skunk that was on its way into his hen house in Alamogordo, NM. It's got the old brass bead front sight and a shallow notch rear sight, which were de rigueur in the 1950s and 1960s, but doesn't yield the best of sight pictures. It requires that I re-explain sight pictures to my daughter. This particular copy was unfortunately mistreated by someone, between its purchase sometime around 1960 and the time that my great uncle passed it on to my mother and me in the late 1980s. The bluing on the barrel has largely been replaced by what would charitably be called "patina," and the stock gives witness to treatment one might behind the seat of a pickup. But it's handy, and light, and my daughter likes it for that reason. She merrily began slapping the swinging plates and cans as I called them out for her.

Then the rain came. Not much, but the sprinkling turned to a thin drizzle, and you could see that it was going to get heavier. (It did-- we got about 2 inches last night.)

"Time to go, sweetie," I said. "I'm sorry."

"Daddy, can I please shoot the doll? PLEASE?!?" she begged.

Well, I'm not one to be pestered, but I had said that she could bring a reactive target with her to shoot. I had brought a rather tired potato that had a bad hoe mark on it. Last time we came, my daughter made applesauce of an old mealy apple that was getting wrinkly. Reactive targets make shooting fun, and while fathers have for many years traditionally shot up items of produce "to show what happens," --supposedly in an important lesson into understanding the power of a firearm and the responsibility that entails (which is a good and noble goal, and I'm not knocking that)-- mostly, we just like to shoot things, too.


So, in the rain, my daughter put up the unfortunately doomed Barbie doll.

She backed up about 15 yards, and shoots the doll. The hair moved. She shot again. The hair moved. "Are you shooting for the head?" I asked.

"Yeah, I wanted to see it fly off," she grinned.

"We're getting wet," I said. "Shoot it in the middle."

Sigh. "Okay," she said, and put a bullet through the abdomen of the Chinese-made, nude doll. In her haste to smack it again, she didn't set the bead into the shallow notch, and shot over it, as seen in this crappy MP4 video that my obsolete camera recorded without sound.
She shot it again, making pieces fall out of the sky. She went to one significant piece that had landed to the side, and laughed as sherealized that the piece that she was picking up was the plastic doll's butt.

"Pick 'em all up," I said. "Leave no pieces out here."

She wanted to shoot it again, so I handed her my mother's Model 36 that I had picked up her house last week, to clean for her. My daughter put 5 rounds of .38 Special 110g Winchester Silvertips into the mess that had once been the doll. Given that she had never fired a double action revolver before, I thought that she did fairly well. I squeezed off a round or two as well, and we picked up and left as the sky really opened up.

It was destructive.

It was questionable.

It was fun.

I think she's hooked.

_ _ _

*"Red!" "A!" "Blue!" "C!" Call out a number, and have the shooter put a hole through it. It's a fun divided attention game.

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Wednesday, March 05, 2008

Graphing the ungraphable.

Some years ago, I very much enjoyed listing to the This American Life episode "Numbers"-- audio essays about "people trying to use numbers to describe things that should not be quantified."
[Matt G loves This American Life, which you can listen to for free at their site.]

By way of Tamara, I find PHSChemGuy, who displays genius, in graphing the lyrics of the sounds coming over the radio. Tamara linked my fave, but I'm also partial to: and also:

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Sunday, December 16, 2007

This makes SOOOO much sense to me.

"I don't know much about art, but I know what I like."

Dunno who said it first, but that's basically true of most of us, right?

Come on-- there's approachable art, and then there's that crap that makes no damned sense to you, me, or your neighbor.

But we know what we like.

And, really, who doesn't like a taco?

Certainly this guy does.

Tacos are appealing to the eye, and taste good. I can see where this guy is coming from, in his well-composed, high-contrast photographs of the most favorite hand-food after the sandwich.

I frankly think that he needs to give some thought to producing a series on the neatly-constructed burrito. Maybe that could be his color series, as I think all his taco pics are monochromatic.

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Friday, August 03, 2007

Reflective music for a day off, with coffee

If you haven't heard of Emiliana Torrini, give her a listen. She grew up in Iceland, and has an Itallian mother, but sings a lot in English.

No, she doesn't sound just like Bjork. Seriously. (I kind of like a little Bjork, but a little bit of her crooning goes a LONNNG way.)

She not only has a fascinating voice, but she surrounds herself with very good accoustical guitarists, drummers, etc.

Then she has very... interesting videos put together for her.

Remember, about a lifetime ago, when the idea of musical videos was to provide the artist's visual perspective of what his or her music was about? How the good ones told a story?

Two of Emiliana Torrini's videos do that, and the music gets stuck in my head:
"Sunny Road", and
"Heartstopper". Both are done completely differently, using computer animation in the first and paste-up paper and stopped camera animation in the second.

Not to say that she hasn't done a fluff video as well--

Tamara could probably appreciate the completely fluff piece: "Unemployed In Summertime," about not really minding in the least that one is not working when the weather is fine. (And, really-- that's about all you can glean from the song/video.) (And Tamara, before you deny that you could appreciate fluff, think back real hard to some of those hair bands of the '80s you listened to. Heh.) Actually, I'm not much of a fan of that one, though.

At any rate, she's on my MP3 list. Album is Fisherman's Woman, from Rough Trade Records.

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Friday, July 20, 2007

Beer.


The very first post that I posted here was tangentally related to beer. I kind of thought that I would continue the trend, but other things seem to pop up. If you were to click on the "beer" tag at the bottom of this post, you'd find that I've written about beer a little bit in this blog.


I like beer.


The first beer I ever drank was liquid nastiness. It was an old, old can of Old Milwaukee in the bottom back of an old, neglected refrigerator in an old A-frame cabin. The cabin had no running water, but it had electricity, and an old semi-retired refrigerator. The cabin was mainly a hunting cabin, but was, that summer between my junior and senior years in high school, my residence while I worked as a ranch hand. Untold amounts of food had dripped onto the can over the years, and it had undefined chunks on it. I don't know how long it had been there. Because of the heat of July, I would try to sleep half the day, work in the evening, and then stay up late. (Ah, self-directed labor.) Because of the lack of running water, I had to drive 20 miles, half of it over almost impassable roads, to fill my jugs with potable water.

One day, I woke up, dry of mouth. The sun was full in my face, and it was past noon. I'd been suffering a stuffy nose, due to the dust, and slept with my mouth open; my tongue was like cotton. The thermometer said that it was just about 100 degrees, and rising. I checked the jug. Empty. I went out to the truck, to check my canteen. Empty. So. Very. Dry. I checked the fridge, and found the beer. I was a good 17 year-old. I really hadn't been drinking. I drank the beer, and it was the nastiest wake-up drink I'd ever put in my mouth. I didn't touch beer until...
Freshman year at U.T.

Let's just say that some abuse occurred, none of which endeared me to beer.

Then I went to UNT, and met some guys who liked good beer. I was impressed that they actually LIKED beer, for more than just getting drunk or cooling off on a hot day. We put together a party that October that mostly surrounded a keg of Guinness Extra Stout, called, predictably enough, "Guinnesscide."

I met my future wife there.

On about our third or fourth date, my Future Wife and I decided to see Good Foot (a funk band) play. Because it is best to dance when seeing funk bands, and because my wife was a little inhibited, she suggested that we purchase a six-pack of beer and consume same before going to the show. That was about where my appreciation for beer really was back then. I could drink it, but didn't have much love for it. It was cheap, and cold.

Four months later, however, I'd started to find that, strangely, some beers were beginning to interest me, while others still seemed skunky. I walked into a local brew shop, and the purveyor educated me on why, while managing to sell me a kit to brew my first five gallons of beer-- a pilsner.

True beer, she informed me, had four components, each of which changes the flavor. The necessity of purity had driven the Germans 500 years before to pass a law called Reinheitsgebot, which dictated that only three ingredients could be placed in beer: 1. Barley malt. 2. Water. 3. Hops. In the 19th century, the yeast was discovered, and now that too may be added. The sediment layer of yeast from one beer is moved to the next batch of wurt. She added that the fifth ingredient was sanitation, explaining that lack of cleanliness created Bad Things.

This and many other chats opened my eyes. You could use boughten spring water to make beer. You could use fresh or frozen fresh hop flowers to bitter and preserve your beer. You could add more or less barley malt, and buy different grades of it, roasted to different colors. You could add special hops that added almost no bitterness, but added aroma. You could get different strains of yeasts, to provide different yeasty flavors or lack of them. You could add more or less sugar at the end of the fermentation at bottling, to make the beer more carbonated or less carbonated. (Sparkling or still.) You could add a LOT of malt and yeast, and make it really alcoholic, or back it way down, and just make it a light summer drinking beer. You could even add a lot of malt, but stop the yeast halfway through their fermentation, so that the flavor was sweeter, and then change the off-setting bitterness by the amount of hops put in, and the duration that they were left in the boil.

It was like finding out that the train that you've been riding down the tracks is actually capable of doing aerial acrobatics, if you wanted it to. I did.

So I made up some batches. Some were okay, a couple were notably bad. I never got a mash infusion system (that's how the big boys did it), in which one actually takes grain and removes the malt right there in the pot. I always used extracts-- usually malt powder. I would put a little extra grain in some cloth and put that into the pot during the boil, to add a flavor or texture that I wanted. (For example, 4 oz of cara-pils grain in a boil adds nice lacing to the glass and a stiffer head to the beer.) I would make up little 5 and 2.5gallon batches, and drink them with friends. I even sent a few off to competitions, but never took better than third in my category. (Beer connoisseur Michael Jackson gave me a third place ribbon for a peach cream ale that I made.)
I was in the brew shop so much, the lady who owned it would sometimes pay me to mind the shop when she had to be out. I was expected to bring in my own home brews and drink them at the shop while on duty. God, that was a great job.

I finally pretty much gave up home-brewing. I still have the stuff, but haven't done much of it in years. Oh, there have been a few. When I got married, we brewed 10 gallons of good easy-drinking beer, and even non-beer drinkers enjoyed it. I managed to snag one half-cup of it, in between shaking hands and meeting people; it was good, and went great with the barbecue.

Now, I treat myself to boughten beers of different styles, from different cultures around the world, the country, and the state. I used to be something of a snob-- Only imports. Only microbreweries. But there are some great large-batch beers made very, very well. In fact, as my friend and professional brewer John Morrison had learned at the Seibel Institute, common Budweiser, "The King Of Beers," is technically a perfect beer... it just doesn't have enough flavor. (That's where corn and rice and stuff other than barely will get you!)

What surprises me is the popularity of beer, given its inherent complexity. Very few people like their first beer, yet most enjoy it later in life. I wonder if that has to do with the development of the palette? As I alluded to earlier, even foods which are made exactly the same way as I loved them made as a child now taste too sweet, typically. Could it be that most people grow to embrace the bitterness of the hops, and subtle sweetness of the malt? Interesting. It reminds me of how, as a child, I had hated raw tomatoes, but, around age 10 or 11, I discovered that there is no better thing than a vine-ripened raw tomato. (My elder daughter, as I suppose I should by now expect, is ahead of me; she turned the corner from hatred to love of raw 'maters at age 8.75, this summer.)

For whatever reason, socially beer has been thought of as the drink of the common man, and thus receives a lower status than wine or spirits. Some of this may stem from the quickness with which the beverage is made: one may go from grain to a top-end beer in well under a month using the slow traditional methods, and in about two weeks using the modern methods. Wine, on the other hand, may take a year or more to finish, with the faster versions finishing in a few months. Probably the ingredients are cheaper for beer than wine. While good hops are costly, they comprise only a small part of the overall volume of what goes into a mashing ton or a fermenting vat. Barley malt is just the byproduct of grain, and is easily produced, and dissolved into... water! By far the greatest part of beer is water, which is quite a bit less expensive than grape juice to come by. Because beer requires no distillation, it's easily understandable that it's less expensive, ounce per ounce, than the cheapest rotgut whiskey.

Because of its popularity and cheapness, companies have moved from the traditional methods of shipping it (kegs, bottles) to the modern cans. Some major innovations had to take place to make the humble beer can a viable option. Because of the high proportion of can surface area to the product, it is very easy to detect the metallic flavor that the cans impart to beer, if something isn't done to prevent it. What's been done, virtually throughout the industry, is to line the metal with a thin layer of plastic to prevent the beer from touching the aluminum. Surprisingly, this works pretty well, with only the purists claiming that they can taste the difference.

Brewing is a fairly popular home art. Under U.S. law, without any licenses, a single brewer may make 100 gallons a year, or 200 gallons per household, so long as he or she does not sell it. Why the cap at 200 gallons? Because beyond that they figure that you're selling it, and if you're selling it, they want to tax the unholy Hell out of it. The U.S. government has a particularly high tax set for that sinful old beer. Interestingly, though, traditional lore is that brewmeisters are exempt from the draft. (I've never been able to establish if this is actually true, or mere myth.) I made my first batches before I was 21. I was legal to buy the materials, and legal to put them together, but at some point along the line, I became a minor in possession of five gallons of an alcoholic beverage.

In my recent move, I transported many 7.5 gallon vessels, 5, 6, and 2.75 gallon carboys, cases of bottles, bottle racks, siphons, hoses, brewpots, bottle brushes, etc. My wife rolled her eyes-- it's been a couple of years since my last beer, and longer since my last successful one. But it's an old hobby of mine, and I still think of myself as a brewer, I suppose, so I keep the stuff.

Maybe I'll craft another one, soon. . .

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Friday, June 29, 2007

Tell me a story...

I like music. And, obviously, I like a good story.

While I like the pure sound of a riff from a good rock instrumental, and like the mood that a superb orchestral piece will put me in, I like best when I hear a story. I'm quite sure that's where the love of opera comes from for most folks; it's a mixture of the two. My problem with opera is that: I don't speak Italian or German, and I'm too impatient to wait 2 hours to see a story that easily could have been told in one of my daughters' old Little Golden Books. That, and most of it (though not all of it) wears me plumb out. (I have to admit that the dumpy amateur British fellow does manage to reach me, somehow.)

The other day, I was listening to an excellent piece by Gwen Thompkins on NPR Weekend Edition about Kenyan radio. Guess what their all-time favorite genre is? They love American country music. It seems that Kenyans have a long tradition of story-telling, and like it in their songs. When they started modernizing and listening to pre-recorded music, they found that the one style of popular music that appealed to their oral tradition most was American Country & Western music, especially from the 1970's and '80's, and especially from (get this): Kenny Rogers. Kenny is HUGE in Nairobi. (Who knew?) Songs like "The Coward Of The County," "The Gambler," etc. tell stories. As for female vocalists, it's all about Dolly Parton. (They especially love "Coat Of Many Colors.")

I thought about that.

While I'm not a huge fan of country music, I've been learning to embrace it more and more, lately. I'm growing away from the silly musical pieces that were the hallmark of my youth (Just what was the story behind "Pour Some Sugar On Me"?), and seeking out music that expresses a story, or at least a complete thought. Oh, it still has to have a catchy tune, without which "The Road Goes On Forever", or "The Wreck Of The Edmund Fitzgerald", or "El Paso" would never have survived as they do.

The skill of storytelling in music is not dead; it's just not popular with those who currently control what we listen to: 12 to 24 year-old radio-listening kids. They make the requests, and they buy the albums (or MP3's), and they're moving the market to their focus. The Old 97s, a country/rock crossover band that seem to have managed to find a niche, do a decent job of telling stories in their music. They clearly recognized the beauty of a story in a song (indeed, their very band name refers to a famous folk song recounting a terrible train wreck), when they remade Marty Robins' aforementioned "El Paso," complete with a blistering guitar solo. Listen to it twice before giving up on it; it's greatness. They also tell a disturbingly concise tale of revenge in their song "Waiting For The Other Shoe." ("You've got your pride, and a blue steel .45/ And you're waitin' for the other shoe to fall."). And it was only 11 years ago that the late (great) Johnny Cash finally put the last verses on his old song "Mean Eyed Cat", and recorded "I Never Picked Cotton." Some folks still sing stories.

A local radio station (KZPS "Lone Star") has been attempting a "new" format of music that they've declared as "outlaw music." It's fronted by none other than Willie Nelson, and plays a lot of country music, but still pulls from their old rock and roll music collection. It's a decent attempt, but they still seem to be seeking their roots. One of the songs that they've been playing the most, lately, is "Breakfast In Hell." Slaid Cleaves hisses a tale of a tough lumberjack breaking up his final log jam in a conspiratorial manner that makes you turn up the radio and sing along with the chorus, even though you've heard it twice that day already. I wonder if our radio station has figured out that the reason they're getting so many calls for pieces of Americana like that and Junior Brown's "Broke Down South Of Dallas" are so popular. It's for the same reason that most folks can still recall the premise, if not the complete lyrics, to "Ode To Billie Joe"-- there's a story in there.

- - - -
Several years ago, a rookie cop that I used to work with introduced me to a rather... uh, base... site called "Stick Death". I repeatedly told him that it was a timewaster that was probably going to get him in trouble for watching on his coffee breaks, but on stormy nights I found myself sometimes watching some of the simple GIF animations over his shoulder. One of them, set to metal music, I found strangely... compelling for some reason that I couldn't figure out. "5MOCA" ("Five Minutes Of Crap Animation") Then I suddenly recognized the lyrics of the Metalica remake: it was an old Irish ballad "Whiskey In The Jar."; they'd only changed the lyrics a tad. So I watched the 5 minute animation of the old old song. And you know? It kind of sticks with you. (Warning: that animation is not particularly explicit, but then again, it's not entirely work- or kid-safe.) Funny how songs written hundreds of years ago that tell a story will do that, even in the strangest of contexts.

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Tuesday, May 22, 2007

Altered states of consciousness

Not to promote the drugged lifestyle, but sleep deprivation and a Grolsch beer before putting on headphones and playing a song with serious stereophonic separation, while focusing very closely into the iTunes Visualizer can really, really cause you to momentarily lose your local grasp of stuff. Since entertainment is supposed to do exactly that, and the effect is over when the song ends, it's harmless.

I have no idea if this is common for everyone, or if it's like those damnable stereographic puzzles that only some people can see. Based upon what I saw when I worked off-duty security at a rave once, I suspect that it's a pretty common phenomenon, but lots of kids seem to think that they need a heavy dose of Ecstasy to make it work.

The aforementioned "Starship Trooper", at the instrumental about 3/4 of the way through, does it nicely. I suspect that The Who's "Won't Get Fooled Again" would do it. Countless others. Maybe Penguin Cafe Orchestra pieces.

Music has often been claimed to transcend the listener. I'm pretty visual. If I can get the visuals to match the aural, and both are particularly good, something occasionally happens for a few seconds. It's a nice diversion. I can't make this music, and I can't make the video to accompany it. I've seen dancers that could do the latter, and have known musicians that could probably do the former.

Heh. But then again, I was impressed as a kid when they arranged the lights at the skating rink to be in sync with the music. . .

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Tuesday, April 10, 2007

3.5 hours later...

...I'm out of my blood spatter midterm.

Damn.

Think it's time to go have a Tilsburg Dutch Brown Ale, and decide if this culture fusion in beer is really what's it's cracked up to be. I had one bottle after work, and decided that it tasted like a Belgian mixed with a nut brown. Hmmm. Not sure that I like that.

Heck, I mostly just bought it because the labels have a little tidbit form Hieronymus Bosch's Garden Of Earthly Delights on 'em.

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Thursday, October 26, 2006

Bass Fission

Back when...

If you look to the bottom right of Manet's lovely 1882 impressionist masterpiece A Bar at the Folies-Bergère you see a bottle that modern beer drinkers will be familiar with. As I browsed about for my weekend tipple last week, I was vacillating between giving the Dogfish Brewery 90 Minute IPA a try (I had been well impressed with the 60 Minute version the week before, having followed Tamara's suggestion. Mmmmm.... Bitters.) and just going back to an old reliable-Spaten Optimator. Finally, my desire for malt coupled with a nice October cold front compelled me to grab the familiar old dopplebock. As I began to wander toward the register, however, the 24 oz. bottle of Bass in the singles case caught my eye, and I thought back to the fine art that Manet had wrought in the penultimate year of his life, 124 years ago. In a fit of responding to style over substance, I bought a bottle of the Bass, as well. Now Bass has always been to me a great complement to fish, or half of the ingredients to a good Black and Tan, but I had no fish at home, and no stout to float over it. Clearly I should just have put it up until later. So what did I do?

Bass for all ages
Duh. I drank it, and took a picture of the bottle next to the picture on my computer monitor. What would YOU do?

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